![]() ![]() We conduct a field experiment with 25 jazz players, grouped into five ensembles, participating in recording sessions with four record producers. We hypothesize that comments from an external record producer and/or self-evaluation after listening to the takes in the control room address the challenges of studio recording by helping musicians improve from one recorded take to another. In many cases, during recording sessions, musicians repeat the same musical composition over and over again without the presence of an audience. The choice of recording technologies always transforms musicians' perception of their performance when playing in the studio. In this article, a critical review of the projects is informed by feedback from the students involved, which can inform future development and structures of existing programmes in music production education. The project not only provided the students with credible industry-like experience, it also provided the staff involved with an insight into the potential of collaborative project work to address multiple learning aims and objectives. This article focuses on three Summer Undergraduate Research Projects that provided students with the opportunity to research and record Irish traditional music during the summer months. Thus, an authentic and action-oriented mode of engagement in higher education is utilized to enhance the learning experience continuously aware of changes and attitudes in the music industry. Over the past number of years, creative practice research projects at Dundalk Institute of Technology have provided opportunities for music production students to engage in the recording and production of Irish traditional music, broadening their experience beyond popular music genres and facilitating time for them to work collaboratively with Irish traditional musicians. Commenting on his 2017 album, Ed Sheeran highlights the potential for incorporating Irish traditional music into popular music. And you can see scales, modes and zones instantly with vibrant on-key RGB LED feedback.Many music production programmes in higher education institutions are heavily invested in popular music genres and production values in contrast to the diversity of musics often included in other music programmes and encountered in everyday life. Its exceptionally high scan rate of 10 kHz gives the keys a super dynamic feel for expressive performances. It’s got aftertouch too, assignable to anything. ![]() SL MkIII boasts our finest and most playable synth-style semi-weighted keybed, with a sprung action tuned to the needs of the experienced player. You can choose an arp type, set a sync rate, tweak note and pattern lengths, and use the pads to design your rhythms in real time. Then record parameter automation straight onto the sequencer, bringing your productions to life. Input notes step-by-step, or record as you go you can play and edit your sequences directly from the keyboard. ![]() Internal eight-track pattern-based sequencer. Build your tracks in the eight-track polyphonic sequencer: everything in time everything in key every control at your fingertips. Create quickly and easily with your hardware. ![]() A centerpiece to connect, control and create with your entire setup. It’s an all-sequencing, all-dancing hub for all of your music making tools. SL MkIII is far from your typical keyboard controller. 49 Key Midi Controller w/built in Sequencer & CV/Gate out ![]()
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